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<channel>
	<title>Jordan Coley</title>
	<link>https://jordanjordanjordan.cargo.site</link>
	<description>Jordan Coley</description>
	<pubDate>Sat, 31 Dec 2022 00:56:13 +0000</pubDate>
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		<title>writing</title>
				
		<link>https://jordanjordanjordan.cargo.site/writing</link>

		<pubDate>Sat, 31 Dec 2022 00:56:13 +0000</pubDate>

		<dc:creator>Jordan Coley</dc:creator>

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Interviews
	
&#60;img width="730" height="913" width_o="730" height_o="913" data-src="https://freight.cargo.site/t/original/i/c50281276faf28b500a41e4b0438cfd970a3176886c9c8f41c23d7f2dfe259c2/ASAP-Rocky-Highsnobiety.jpg" data-mid="199141406" border="0" data-scale="90" src="https://freight.cargo.site/w/730/i/c50281276faf28b500a41e4b0438cfd970a3176886c9c8f41c23d7f2dfe259c2/ASAP-Rocky-Highsnobiety.jpg" /&#62;
A$AP Rocky cover story
	&#60;img width="1654" height="2067" width_o="1654" height_o="2067" data-src="https://freight.cargo.site/t/original/i/142fc3069b67d204e8dfea28f8a54911da02a540552dd987d6afcfb3016381b7/F5Vzbn2XsAA9crR.jpg" data-mid="199141428" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/142fc3069b67d204e8dfea28f8a54911da02a540552dd987d6afcfb3016381b7/F5Vzbn2XsAA9crR.jpg" /&#62;&#38;nbsp; Lil Yachty cover story


&#60;img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/b9a46d4aefc2df82511163125e6a92fc1fdad9a3f4d921d3b833c218b4038245/z9w8jr4n3umszidgfdmn.jpg" data-mid="199145744" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/b9a46d4aefc2df82511163125e6a92fc1fdad9a3f4d921d3b833c218b4038245/z9w8jr4n3umszidgfdmn.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9598147f515b62e7434fb2a4275d8d7e2375265381c13c8d5369effb15f24020/SSENSE-Logo.wine.png" data-mid="199513249" border="0" data-scale="18" data-no-zoom src="https://freight.cargo.site/w/1000/i/9598147f515b62e7434fb2a4275d8d7e2375265381c13c8d5369effb15f24020/SSENSE-Logo.wine.png" /&#62;
Sage Elsesser’s Shades of Blue



Essays
&#60;img width="1440" height="907" width_o="1440" height_o="907" data-src="https://freight.cargo.site/t/original/i/4a4857977d51ffca7c1e5caff31314a1748fd36761a9b5875f873c621f217d81/bookforum-1440-907.jpeg" data-mid="199513465" border="0" data-scale="19" data-no-zoom src="https://freight.cargo.site/w/1000/i/4a4857977d51ffca7c1e5caff31314a1748fd36761a9b5875f873c621f217d81/bookforum-1440-907.jpeg" /&#62;&#60;img width="1000" height="751" width_o="1000" height_o="751" data-src="https://freight.cargo.site/t/original/i/4b8a52f6dd8c8a665221a3f5f0410e6660fdf8b81b2f33518e0d64ef2741343a/article00_large.jpg" data-mid="199146729" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/4b8a52f6dd8c8a665221a3f5f0410e6660fdf8b81b2f33518e0d64ef2741343a/article00_large.jpg" /&#62;

On William Klein’s “The French”
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/70310ee0665b95e8cd5aa922253c1f5df00c9ef4b4827c5798acc3a2b4f602a3/Dennis-Rodman-Style-Icon-GQ-2019-092419.jpeg" data-mid="199147531" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/70310ee0665b95e8cd5aa922253c1f5df00c9ef4b4827c5798acc3a2b4f602a3/Dennis-Rodman-Style-Icon-GQ-2019-092419.jpeg" /&#62;&#60;img width="1224" height="648" width_o="1224" height_o="648" data-src="https://freight.cargo.site/t/original/i/129888c3d3298c2edc67e1f660003dba75007162fd7b03d5221cfebc50781201/620389838c4085000441912a.png" data-mid="199513870" border="0" data-scale="15" src="https://freight.cargo.site/w/1000/i/129888c3d3298c2edc67e1f660003dba75007162fd7b03d5221cfebc50781201/620389838c4085000441912a.png" /&#62;How Dennis Rodman, '90s Outcast, Became Dennis Rodman, Style Godhead


&#60;img width="900" height="500" width_o="900" height_o="500" data-src="https://freight.cargo.site/t/original/i/a62151fbaf4a4e4a5b655ae634c62fdf31c25f9a4203049b5c9f65044657f36e/vulture-vector-logo.png" data-mid="199513293" border="0" data-scale="17" data-no-zoom src="https://freight.cargo.site/w/900/i/a62151fbaf4a4e4a5b655ae634c62fdf31c25f9a4203049b5c9f65044657f36e/vulture-vector-logo.png" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7968963f12dd61af7dd4be32e618a5901ce64664d2faaff6adc305ca5415dd2d/Eyi8E-5WUAYiwNZ.jpg" data-mid="199147886" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/7968963f12dd61af7dd4be32e618a5901ce64664d2faaff6adc305ca5415dd2d/Eyi8E-5WUAYiwNZ.jpg" /&#62;Belly is a FUBU for American Cinema&#38;nbsp;



 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7acc8858ccb85f63581e7e693685b0f014cc4720b15c8b60f1858376a1ae83a7/The_New_Yorker-Logo.wine.png" data-mid="199514381" border="0" data-scale="26" data-no-zoom src="https://freight.cargo.site/w/1000/i/7acc8858ccb85f63581e7e693685b0f014cc4720b15c8b60f1858376a1ae83a7/The_New_Yorker-Logo.wine.png" /&#62;&#60;img width="1152" height="1152" width_o="1152" height_o="1152" data-src="https://freight.cargo.site/t/original/i/70e8abff440e7eb887eedf743fa89f9c60ee9205fd5a0465a0c0f9258b7d5768/itakeresponsibility.jpeg" data-mid="199145618" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/70e8abff440e7eb887eedf743fa89f9c60ee9205fd5a0465a0c0f9258b7d5768/itakeresponsibility.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; On the Limits of “Celebirity Activism”
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	<item>
		<title>home</title>
				
		<link>https://jordanjordanjordan.cargo.site/home</link>

		<pubDate>Wed, 23 Nov 2022 17:08:15 +0000</pubDate>

		<dc:creator>Jordan Coley</dc:creator>

		<guid isPermaLink="true">https://jordanjordanjordan.cargo.site/home</guid>

		<description>jorda n cOleY

	about
	writing
	jordan show



	newsletter

	︎

	︎
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	<item>
		<title>about</title>
				
		<link>https://jordanjordanjordan.cargo.site/about</link>

		<pubDate>Wed, 23 Nov 2022 17:08:16 +0000</pubDate>

		<dc:creator>Jordan Coley</dc:creator>

		<guid isPermaLink="true">https://jordanjordanjordan.cargo.site/about</guid>

		<description>
	about

I’m a writer and performer from Hamden, Connecticut currently based in Brooklyn. I’ve spent the last five years working primarily as a freelance critic and entertainment journalist for&#38;nbsp; publications like The New Yorker, GQ, The Nation,&#38;nbsp; NPR Music, and many others. I’ve called Young Thug at the studio, spoken with Kaytranada about being scared of Janet Jackson, and posited that Dennis Rodman was the first e-girl. I’ve even got the words “memed into a fine dust” onto the hallowed digital pages of newyorker.com.
In addition to writing for magazines, I’ve also written copy for brands like Apple News, Amazon Prime Video, and the streaming service formerly known as HBO Max.&#38;nbsp;

In 2021, I was an inaugural recipient of Emmy- winner Cord Jefferson’s&#38;nbsp;Susan M. Haas TV Writing Fellowship.

	
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/455da18bf8bc27f9bb027e2a8cec95b14a124bd882fb6a141a2c3bbb14c95812/Photo-on-4-22-22-at-11.36-AM.jpg" data-mid="163165510" border="0"  src="https://freight.cargo.site/w/1000/i/455da18bf8bc27f9bb027e2a8cec95b14a124bd882fb6a141a2c3bbb14c95812/Photo-on-4-22-22-at-11.36-AM.jpg" /&#62;
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